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A front-facing view of the Female Figure Bust Sculpture, showcasing intricate Chola style details on hand-finished stone composite.
A three-quarter view of the Female Figure Bust Sculpture, a stone composite replica showing detailed Chola style craftsmanship.
A three-quarter view of the Female Figure Bust Sculpture in stone composite, displayed on a black stand with dimension annotations.
A Female Figure Bust Sculpture in stone composite displayed on a stack of books next to a white vase.
A black gift box for the Female Figure Bust Sculpture, featuring a thank you note and illustrated card on a table.
Hands gently cradle a stone composite Female Figure Bust Sculpture, showcasing the detailed Chola style craftsmanship against a warm background.
A pair of hands gently cradles a Female Figure Bust Sculpture, showcasing the intricate stone composite Chola-style craftsmanship.
A hand holds an informational brochure featuring the Female Figure Bust Sculpture with detailed annotations on Chola style craftsmanship.
A front-facing view of the Female Figure Bust Sculpture, featuring intricate Chola style details on a stone composite finish.
Bust of a Female Figure
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items

Name: Bust of a Female Figure

Origin: 10-12th Century C.E., Chola Dynasty

Currently at: Rissala Collection

Bust of a Female Figure

Chola art is characterised by a skilful fusion of vibrant beauty with religious austerity. The dimensions, positions, and symbolic hand movements of the gods were precisely outlined in the religious manual that the sculptors used as a guide. Artists made sure that each sculpture was religiously "correct" and able to communicate profound spiritual themes. But the art was not rigid or robotic because of these guidelines. By closely examining the human figure to depict realistic expressions and fluid movement, Chola artists were the forerunners of realism. This iconic female figure, probably Pravati, is proof of this. By combining realism and "ideal perfection," they produced figures that were both sublime and human.

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