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The Alasa Nayika Sculpture replica features a sandstone-textured female figure in a graceful tribhanga pose on a black base.
A stone composite Alasa Nayika Sculpture replica shown in three-quarter view with annotated height and width dimensions.
The Alasa Nayika Sculpture stands on a black base atop stacked books, showcasing intricate terracotta-style craftsmanship and elegant temple art details.
The Alasa Nayika Sculpture packaging set includes a black presentation box, a certificate of authenticity, and an illustrated information card.
Hands gently cradle the Alasa Nayika Sculpture, a sandstone-finish replica showcasing intricate 10th-century Indian temple art details.
Two hands gently hold the Alasa Nayika Sculpture, a sandstone-style replica featuring intricate traditional Indian temple carving details.
A hand holds a brochure featuring the Alasa Nayika sculpture, detailed with informative text boxes explaining the stone replica's artistic features.
A front-facing view of the Alasa Nayika Sculpture, a sandstone-style replica showing a woman in a graceful tribhanga pose.
Alasa Nayika (Alasa Kanya)
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Name: Alasa Nayika (Alasa Kanya)

Origin: 10th Century C.E., Morena

Currently at: Bhopal State Museum

Alasa Nayika (Alasa Kanya)

The literal meaning of Alasa-Nayika is 'lazy young maidens,' associated with youthfulness and fertility. Her portrayal suggests that she is intended to enchant the viewers with her sensual attractiveness. She is also known as Surasundari or Madanika and often combines aesthetics and mythology to show the divine link between the earthly and heavenly worlds. It is also believed that she is a personified form of various facets of performing arts. The Chennakeshwara temple of Belur, Karnataka, has magnificent depictions of Alasa Nayika or Madanika.

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